Skip to main content

Support the Arts!

Chatsworth: Film crew documents drama of Cherokee tears

Thursday, June 5, 2008

http://timesfreepress.com/news/2008/jun/05/film-crew-documents-drama-cherokee-tears/?print

CHATSWORTH, Ga. — Major Ridge walked into the dark, smoky room, looked at the men around the table and strode toward them.

Without sitting down, the Cherokee leader looked at papers on the table, waving them toward each man as the group signed the treaty that would move the Cherokee people from New Echota in Georgia onto what would become the Trail of Tears leading to Oklahoma.

Mr. Ridge, who would become known as a traitor to the Cherokee, was the last to sign, and as he finished he spoke quietly in Cherokee.

“I have just signed my own death warrant,” he told the group.

“Cut!” called director Chris Eyre.

As the camera stopped rolling, a film crew of about 100 people began changing scenes, rearranging lights, patting sweat from actors’ brows and resetting microphones.

The crew is making “We Shall Remain,” a five-part documentary drama for the Public Broadcasting Service’s “American Experience.” They arrived here last Thursday and will remain through Friday, taping at the Chief Vann House Historic Site in Chatsworth, Ga., the New Echota Historic Site near Calhoun, Ga., and Red Clay State Historic Park in Cleveland, Tenn.

The filming here will be part of segment three in “We Shall Remain,” a series described by PBS spokesmen as “a provocative multi-media production that establishes Native American history as an essential part of U.S. history. The entire series covers 400 years, ending in 1973 with the occupation of Wounded Knee.”

Segment three, titled “The Nation,” tells the story of the Cherokee experience when federal troops forced them from their homes to begin their journey on the Trail of Tears. About 4,000 Cherokees died on the trail, which started in Chattanooga.

The entire series is expected to air nationwide on PBS in 2009.

With the director’s signal to break from taping Thursday, actor Wes Studi — who plays Major Ridge in the film’s dramatic re-enactment — slipped out the door of the hot, upstairs room in the Chief Vann House. A native Cherokee, Mr. Studi, who played Magua in the 1992 movie “The Last of the Mohicans,” said he never has played the part of a Cherokee in a commercial film.
(Mr. Studi performed in *Streets of Laredo* as well)

“It’s important to me. It’s a story about our people,” said Mr. Studi, who’s performed in films such as “Seraphim Falls,” “Skinwalkers” and “Heat.” “Most of the stories told about this time in the Cherokee nation have been slanted toward the John Ross faction. This story is told from the viewpoint of the Ridge treaty party.” (Ah, my family was among the Ridge Treaty Party and yes, this side of the story has often been over looked)

Historical perspective

Mr. Studi and the filmmakers said the film will show not only that the Cherokee of the time were not stereotypical of most Hollywood drama but were a growing and civilized nation with emerging political factions.

New Echota, where the Cherokee capital moved when Tennessee pushed the Indians south of the Tennessee River, was a model town with frame homes, farms, a courthouse and a post office.

In one scene, Mr. Eyre said, the character Major Ridge rides on his plantation to a fence being constructed by his slaves.

“They are as wealthy as any people in the East for that time. They had plantations, slaves, mansions,” he said. “I’ve never seen that image (on film) before, and I think those are the kinds of things that make people say, ‘Wow.’”

When Georgia began passing laws in the 1830s to force the Cherokee out of the Peach State, Principal Chief John Ross took the Indians’ case to the U.S. Supreme Court and won. But President Andrew Jackson still ordered the forced removal of all Indians from what then was the United States to Indian Territory in what later would become Oklahoma.

Major Ridge, born on Hiwassee Island just north of Sale Creek and a Revolutionary war fighter who fought on the same side as Andrew Jackson at Horseshoe Bend, helped write a Cherokee constitution and pass a Cherokee law that decreed no American Indian land could be traded away without the agreement of the majority of the Cherokee nation.

But when the Indians appeared fated to lose their land entirely, he and a handful of other lesser chiefs signed the treaty without a vote, trading the ancestral homeland for land in the Indian Territory.

“Any story has many sides,” Mr. Studi said. “I think he was a progressive man. Up until this point in time, I just didn’t want to think about that side of the story. I had just gone along with the fact that the Ridge party were traitors to the Cherokee people. On the other hand, how were the people going to survive as a people?” (Major Ridge, just saw the writing on the wall earlier than most)

Mr. Studi called it “a rock-and-a-hard-place kind of situation.”

“I think Ridge was a thoughtful, progressive individual,” Mr. Studi said. “The trading of lands was better than just losing lands and being cut adrift in the world without any homeland at all. Now I can see the wisdom of his thoughts. And he died for them.”

After the removal of the Cherokees from the East, several signers of the treaty were killed by Cherokee assassins, including Mr. Ridge, his son, and his nephew, according to historians.

Movie making

Producer Jennifer Pearce, of Atlanta, said the organized chaos of a film set is fun for her.

“I always say strive for plan A, but if plan A doesn’t work out, embrace plan B,” she said. “You can see how many bodies it takes, but they’re all needed. Everyone is bringing their expertise is making something great, you hope.”

Amid the anthill business of the set, cultural adviser Myrtle Driver, of North Carolina, and Cherokee linguist Harry Oosahwee, of Oklahoma, watched and waited.

British actor Freddy Douglas, as a young John Ross, talked with legislators in one scene but has a hard time with the American pronunciation of “legislature,” so Mr. Oosahwee got a call for help. In another scene, Mr. Studi, who speaks Cherokee, needed help with a translation of Cherokee lines, so the linguist was called again.

Mrs. Driver helps filmmakers ensure the stage settings and costuming are authentic. When they sought something for Major Ridge’s wife to give her son as she sends him off to college, Mrs. Driver suggests a metal cup — something common for the time but hard to come by.

With a bellow from one of the assistant directors to quiet the set, an eerie and instant silence falls.

“Rolling,” the assistant yelled. Taping began again.

Popular posts from this blog

Americanization of Native Americans

Americanization can refer to the policies of the United States government and public opinion that there is a standard set of cultural values that should be held in common by all citizens. Education was and is viewed as the primary method in the acculturation process. These opinions were harshly applied when it came to Americanization of Native Americans compared to immigrant populations who arrived with their "non-American traditions". The Americanization policies said that when indigenous people learned American customs and values they would soon merge tribal traditions with European-American culture and peacefully melt into the greater society. For example in the 1800s and early 1900s, traditional religious ceremonies were outlawed and it was mandatory for children to attend English speaking boarding schools where native languages and cultural traditions were forbidden. The Dawes Act of 1887 , which allotted tribal lands to individuals and resulted in an estimated total o...

Indian Boarding Schools - the US Solution to the Indian Problem

American Indian Boarding Schools Haunt Many by Charla Bear This is the first in a two-part report. For the photos with this piece and the rest of the story: http://www.npr.org/templates/story/story.php?storyId=16516865 May 13, 2008 Col. Richard H. Pratt founded the first of the off-reservation Native American boarding schools based on the philosophy that, according to a speech he made in 1892, "all the Indian there is in the race should be dead." CORBIS 'Kill the Indian...Save the Man' According to Col. Richard Pratt's speech in 1892: "A great general has said that the only good Indian is a dead one, and that high sanction of his destruction has been an enormous factor in promoting Indian massacres. In a sense, I agree with the sentiment, but only in this: that all the Indian there is in the race should be dead. Kill the Indian in him, and save the man." From Need to 'National Tragedy' Early in the history of American Indian boarding schools, the...

UKB and Cherokee Nation Today

Hello, everyone – I hope you all had a wonderful Christmas and didn’t overdo too much. It was a foodfest in my neighborhood and it was really fun! In this installment we will bring the story of the UKB and the Cherokee Nation to the present. As the Cherokee Nation began to recover its sovereign powers in the 1970s, after having being squelched for most of the twentieth century by the “bureaucratic imperialism” of the BIA as the judge in the Harjo case described it, the UKB was dwindling. As the Cherokee Nation elected its first Chief since statehood, developed a superseding Constitution, reinstated its citizens, reconstituted its Tribal Council (also a result of the Harjo case), established Cherokee Nation Industries and investigated other economic development enterprises, the UKB receded and was basically defunct by the end of the 1970s. But in 1979, there was a particularly nasty runoff in the Principal Chief’s race between incumbent Ross Swimmer and his opponent, Jim Gordon. Swi...